Nourishment, zenergy, and everyday ways to feel lighter and brighter.
I believe we don't have to wait for
life to feel good.
We can create it–through food,
rhythm, and the stories we
choose to live and tell.
Nice Jewish Boys (Number One, Two, Three)
​My Aunty Carol believed it was her responsibility—if not her calling—to set me up with nice Jewish boys.
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Not just one.
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A steady rotation.
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At one point, I’m fairly certain there were notes at the front door––messages from my Stepmother, Julia: NJB #1 called, NJB #2 returned your call, NJB #3 called—as if I were running a quiet little dating experiment out of my home.
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I was young, open, and, as it turns out, wildly naïve.
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The first was Perry.
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Perry the butcher.
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My aunt had spotted him at Nortown, the deli she frequented, and decided—on the strength of his being both nice and Jewish—that he would be perfect for me.
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We had a perfectly pleasant evening. Conversation, television, the polite dance of two people doing their best.
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And at the end of the night, he said it.
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“I’ll call you.”
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I believed him.
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That was my first mistake.
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He never called.
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It was a small thing, really. People say things all the time. But something about it landed harder than it should have—not because I was heartbroken, but because I had taken him at his word.
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I thought: if you say you’ll call, you call.
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Apparently, that wasn’t how it worked.
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At the time, I was a student at Ryerson, and in a moment that felt equal parts indignant and inspired, I decided to respond in the only way I knew how.
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I put a personal ad in the Ryerson paper.
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“Hey, P.I. (the butcher),” it began. “Thanks a lot for calling me again. What am I, chopped liver?”
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Signed: Carol’s niece.
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It was cheeky. Slightly outrageous. Entirely satisfying.
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A few days later, I was walking down the hallway at school when I walked by two girls sitting off to one side reading the paper together and laughing.
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“Oh my God, look at this,” one of them said, reading it out loud.
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They were howling.
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And every part of me wanted to turn around and say, I wrote that.
But I didn’t.
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I just kept walking, smiling to myself, carrying the quiet, electric feeling of being seen without being known.
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That was the moment something shifted.
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Not just in how I thought about dating—but in how I understood my voice.
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The setups, however, continued.
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There was the cardiologist—impressive on paper, deeply impressed with himself in person—who spoke at length about what he could provide, as if a résumé were the same thing as a connection.
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There was another blind date who, in my memory, has taken on the shape of a kind of human metaphor for “not quite right.”
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And through it all, my Aunty Carol remained hopeful.
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“He’s a nice Jewish boy,” she would say, as if that alone were the magic ingredient.
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But somewhere along the way, I began to realize that I wanted more than “nice.”
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More than “on paper.”
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More than a shared cultural checkbox.
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I wanted a spark.
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I wanted to choose.
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Around that time, after one particularly uninspiring date, I asked my mother what I should say if I didn’t want to see someone again.
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She didn’t hesitate.
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“Just say, ‘Be well.’”
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Two words.
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Clear. Kind. Final.
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No false promises. No “I’ll call you.” No polite ambiguity.
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Just truth.
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And so I used it.
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“Be well,” I said, stepping out of a car one night, closing the door on something that didn’t fit.
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It felt clean.
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It felt honest.
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It felt like mine.
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Looking back, I can see that those early, awkward, occasionally hilarious encounters gave me more than just stories.
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They gave me a way to listen for what felt right.
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They taught me the difference between being chosen and choosing.
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And they gave me, quite unexpectedly, my first taste of what it feels like to have your words land in the world.
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Because in the end, I didn’t remember Perry.
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I remembered the hallway.
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The laughter.
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The moment I knew—even if I didn’t say it out loud—
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I wrote that.
